{"id":700,"date":"2014-07-04T12:27:09","date_gmt":"2014-07-04T12:27:09","guid":{"rendered":"http:\/\/www.pressingvinyl.co.uk\/?p=700"},"modified":"2023-05-04T07:31:23","modified_gmt":"2023-05-04T07:31:23","slug":"dmm-direct-metal-mastering-lacquer","status":"publish","type":"post","link":"http:\/\/www.pressingvinyl.co.uk\/index.php\/2014\/07\/dmm-direct-metal-mastering-lacquer\/","title":{"rendered":"DMM (Direct Metal Mastering) vs Lacquer. Which should you choose?"},"content":{"rendered":"<h3>DMM (Direct Metal Mastering) became popular during the 80&#8217;s but was soon less favourable as more cutting engineers went back to lacquer. It<strong>\u00a0<\/strong>was co-developed by <a title=\"who developed DMM?\" href=\"http:\/\/www.resolutionmag.com\/pdfs\/KNOWHOW\/VINYLA~1.PDF\" target=\"_blank\" rel=\"noopener\">Neumann and Teldec<\/a>, and instead of engraving the groove into a soft metal lacquer-coated aluminum disc, a DMM lathe engraves the audio signal directly onto a hard metal copper-plated master disc.<\/h3>\n<p>The difference between a DMM cut and a lacquer cut is that the DMM is more precise, with sharper transients and better image &#8220;edge definition,&#8221; while the lacquer cut is smoother, warmer and more pleasing on the ears.<\/p>\n<p><strong>DMM (Direct Metal Mastering)\u00a0<\/strong>cuts always appeared to have a brighter and more defined top-end. Upon early inspection of DMM discs, this appeared to be due to a higher frequency modulation in the groove, caused by an ultra-sonic carrier tone. However there is no carrier tone on DMM cuts and the modulation is simply caused by the vibration of the cutter head.<\/p>\n<p>Many critics often describe a DMM cut as too bright or too &#8216;edgy&#8217;. Often the reason for playing a vinyl record is to have the warm and analogue sound that is often not present in a DMM cut.<\/p>\n<p>DMM did though eliminate the problem of pre-echo sometimes audible on a lacquer. Pre-echo is caused by the cutting stylus unintentionally transferring some of audio signal into the previous groove wall, causing a faint audio signal, a pre-echo.<\/p>\n<p>Another argument for the use of DMM is that it removes the need for one stage of the galvanic process. Since the <strong>DMM (Direct Metal Mastering)\u00a0<\/strong>is cut onto copper the first stage of electroplating is bypassed, resulting in cleaner processing with less surface noise and less chance of error during processing.<\/p>\n<p><em>Although the warmer sound of lacquer could arguably be put down to the cuts not sounding as bright as DMM<\/em>, the fuller sound of lacquer could be credited to the depth of the grooves on a lacquer. Lacquers can be cut much much deeper than DMM which is essential for music with a prominent low-end signal. As well as giving the fuller sound, a deeper groove is needed to avoid jumps and skips on a turntable. And even though DMM has much brighter more defined frequency response in the top end, this certainly isn&#8217;t the case with the bass frequencies, evident in most of today&#8217;s electronic music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DMM (Direct Metal Mastering) became popular during the 80&#8217;s but was soon less favourable as more cutting engineers went back to lacquer. It\u00a0was co-developed by Neumann and Teldec, and instead of engraving the groove into a soft metal lacquer-coated aluminum disc, a DMM lathe engraves the audio signal directly onto a hard metal copper-plated master disc. The difference between a DMM cut and a lacquer cut is that the DMM is more precise, with sharper transients and better image &#8220;edge&#8230;<\/p>\n<p class=\"read-more\"><a class=\"btn btn-default\" href=\"http:\/\/www.pressingvinyl.co.uk\/index.php\/2014\/07\/dmm-direct-metal-mastering-lacquer\/\"> Read More<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":11874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[32,90,113,175,158,176,1,33,74],"tags":[177,242,180,243,235,46,179,178],"class_list":["post-700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-32","category-90","category-bass-music","category-dmm","category-heavy-weight-vinyl","category-lacquer","category-uncategorized","category-vinyl","category-well-tempered","tag-direct-metal-mastering","tag-dmm","tag-galvanic-processing","tag-lacquer","tag-records","tag-vinyl-2","tag-vinyl-cutting-engineer","tag-vinyl-mastering"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DMM (Direct Metal Mastering) vs Lacquer. 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